______________________________________________________________________________2011
May
____________________________________________________________________Notation Guide
* = unfinished
√ = enjoyable to read
∑ = found the work distasteful for some reason
+ = [that thing] but more
π = ideas expressed in this book were somehow stifling to creative productivity
∆ = strongly dislike despite various, obvious merits
≈ = felt awkward reading
¬ = sloppiness in writing that seems incongruous with reputation
µ = radical change from my opinion at age 17
ç = selection provided/read was inadequate to evaluate
ß = probably essential to being well read
Ω = profound pleasure in reading the author's 'development' over time.
œ = hilariously inspiring
† = my highest recommendation. buy, borrow, or rent this book.
May
- James Michener, Tales of the South Pacific
- Noelle Kocot, The Bigger World
- William Wordsworth, The Prelude
- James Galvin, X
- Evelyn Waugh, Brideshead Revisited
- David Berman, Actual Air †
- Samuel Starkweather, The Heart is Green from so much Waiting
- D. H. Lawrence, Sons and Lovers
- Dante Alighieri, The Divine Comedy †ß
- Kurt Vonnegut Jr., The Sirens of Titan √
- Matthew Rohrer, Destroyer and Preserver
- Mark Levine, Debt
- Giorgio Vasari, The Lives of the Artists Vol. 1, "Michelangelo" section œ
- Yasunari Kawabata, Snow Country
- Matthew Rohrer, Satellite √+
- Roland Barthes, Camera Lucida
- Lawrence Sterne, Tristram Shandy**
- Plato, The Republic ç
- Ted Berrigan, The Sonnets √++
- Gospel of Matthew ß
- CAConrad, The Book of Frank √
- Dara Weir, Selected Poems ∑
- Stendhal, The Charterhouse of Parma †ß
- Saul Bellow, The Adventures of Augie March†
____________________________________________________________________Notation Guide
* = unfinished
√ = enjoyable to read
∑ = found the work distasteful for some reason
+ = [that thing] but more
π = ideas expressed in this book were somehow stifling to creative productivity
∆ = strongly dislike despite various, obvious merits
≈ = felt awkward reading
¬ = sloppiness in writing that seems incongruous with reputation
µ = radical change from my opinion at age 17
ç = selection provided/read was inadequate to evaluate
ß = probably essential to being well read
Ω = profound pleasure in reading the author's 'development' over time.
œ = hilariously inspiring
† = my highest recommendation. buy, borrow, or rent this book.
______________________________________________________________________________2010
December
- J. C. Polkinghorne, The Quantum World √
- Mary Oliver, Red Bird
- Dorothea Lasky, Black Life (again) √
- Gustave Flaubert, Sentimental Education †
- Charles Simic, The Book of Gods and Devils √
- Gino Segrè, Faust in Copenhagen √
- Basho, Buson & Issa, ed. Robert Hass, The Essential Haiku √+ (again)
- Joshua Beckman, Your Time Has Come √+ (again)
- Henry Adams, The Education of Henry Adams ß
- Luna Miguel, Poetry is not dead
- John Berger, Ways of Seeing ∑ π
- Lawrence Weschler, Seeing is Forgetting the Name of the Thing One Sees √ π
- Tao Lin, Richard Yates √
- Steve Roggenbuck, i am like october when i am dead √
- Kenneth Rexroth, 100 Poems from the Japanese †
- Richard Fariña, Been Down So Long It Looks Like Up To Me √
- Joshua Beckman, Shake (again)
- Matthew Rohrer, A Green Light (again, again)
- Sophokles, Oedipus Tyrannus (again, again, again)
- Seneca, Medea ß
- Tales from the Arabian Nights ß
- Aristotle, Poetics ß
August
July- James Baldwin, Nobody Knows My Name √
- Haruki Murakami, After the Quake √
- Bret Easton Ellis, Less Than Zero √
- Kenneth Koch, Thank You and Other Poems †
- Kwame Anthony Appiah, Cosmopolitanism
- William S. Burroughs, Junky √
- James Schuyler, Freely Espousing √+
- Kobo Abe, The Woman in the Dunes √+
June
- Peter Richards, Nude Siren
- John Ashbery, The Tennis Court Oath Ω
- James Tate, Worshipful Company of Fletchers
- Chelsea Minnis, Bad Bad √+
- Richard Yates, 11 Kinds of Loneliness √+
- Dorothea Lasky, Awe, Black Life †
- Thomas Pynchon, The Crying of Lot 49
- Joshua Beckman, Shake †
- Rachel Zucker, Museum of Accidents
- Kenneth Rexroth, 100 Poems from the Chinese †
April:
- T. S. Eliot, The Wasteland and Other Poems ∑≈ µ
- Thomas Hardy, Selected Poems*ç
- D. H. Lawrence, Selected Poems √
- D. H. Lawrence, Birds, Beasts and Flowers †
- Geoffrey Nutter, Christopher Sunset †
- James Joyce, Dubliners *
- Dorthea Lasky, Poetry is Not a Project ç or √
March:
- Ernest Hemingway, The Sun Also Rises √≈
- Raymond Chandler, The Big Sleep √
- Michel de Montaigne, Selected Essays*√
- Sei Shonagon, The Pillow Book* √
- Darin Strauss, More than It Hurts You
- Andrew Weatherhead, The Blueprint 3 √
February:
- Heather Christle, The Difficult Farm √
- Dobby Gibson, Skirmish ∑
- Joshua Beckman, Take It √
- Matthew Rohrer, Satellite, A Green Light, Rise Up and A Plate of Chicken √ Ω
- Henry James, "The Beast in the Jungle," "An International Episode," "The Aspern Papers" √ Ω
- Catherine Mansfield, Collected Stories* †
- Basho, Buso & Issa, The Essential Haiku ç
- Willa Cather, A Lost Lady √¬
- Virginia Woolf, Mrs. Dalloway ∆
- John Ashbery, Some Trees †
- Tao Lin, You Are a Little Bit Happier than I Am, Cognitive-Behavioral Therapy √
- Michael Earl Craig, Can You Relax in My House √
- Lorrie Moore, Self-Help √
- Joy Williams, Honored Guest †
- Geoffrey Nutter, A Summer Evening √
- Wells Tower, Everything Ravage Everything Burned √
- Joseph Conrad, The Shadow-Line √
Notation Guide:
* = unfinished
√ = enjoyable to read
∑ = found the work distasteful for some reason
π = ideas expressed in this book were somehow stifling to creative productivity
∆ = strongly dislike despite various, obvious merits
∆ = strongly dislike despite various, obvious merits
≈ = felt awkward reading
¬ = sloppiness in writing that seems incongruous with reputation
µ = radical change from my opinion at age 17
µ = radical change from my opinion at age 17
ç = selection provided/read was inadequate to evaluate
ß = probably essential to being well read
ß = probably essential to being well read
Ω = profound pleasure in reading the author's 'development' over time.
† = my highest recommendation. buy, borrow, or rent this book.
I will add forgotten books and notations as they occur to me.
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